"Oh no, we haven't quarreled a bit!" Then with a smile: "We've only diverged." "If he shouldn't be there," Fleda interrupted, "there will be no harm done."!

Fleda had got up; she took a turn round the room. "You 'required' the very best pieces—the morceaux de musée, the individual gems!" From her step she looked down into his raised face. "Ah, you see it's not true that you're free!" She seemed almost to exult. "It's not true—it's not true!"

She had at that moment turned away from this solution, precisely because she saw in it the great chance of her secret. If she should determine him to adopt it she might put out her hand and take him. It would shut in Mrs. Gereth's face the open door of surrender: she would flare up and fight, flying the flag of a passionate, an heroic defense. The case would obviously go against her, but the proceedings would last longer than Mona's patience or Owen's propriety. With a formal rupture he would be at large; and she had only to tighten her fingers round the string that would raise the curtain on that scene. "You tell me you 'say' you love her, but is there nothing more in it than your saying so? You wouldn't say so, would you, if it's not true? What in the world has become, in so short a time, of the affection that led to your engagement?" "Does Mona?" Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more.